Under Red Mill, 2 x 5", graphite on toned paper
Flux, 4 x 3", graphite on toned paper
Light Between Branches, 5 x 3", graphite on toned paper
Shadows Between Branches, 4 x 3", graphite on toned paper
Silverpoint Flow, 3 x 5", silverpoint on prepared paper
Continuity, 4 x 3", silverpoint on prepared paper
Succession, 2 x 4", silverpoint on prepared paper
Convergence, 3 x 3", silverpoint on prepared paper
Progress, 4 x 3", silverpoint on prepared paper
Grande Isle Dusk, 4 x 5", silverpoint on prepared paper
The Oyster Man, 4 x 3", silverpoint on prepared paper
Drawing in silverpoint and graphite, each mark is both fleeting and enduring—lines that fade, deepen, and transform as the moment shifts.
This slow, deliberate drawing process mirrors the ineffable nature of perception, offering a sensory experience where the act of seeing and the passage of time intertwine.